Wednesday, June 15, 2011

Piano Teaching In Four Sentences

I'm sure I posted this before, but I can't find where.

This is a combination of Déjà vu and amnesia, I suppose, because I'm sure I remember forgetting it before:

Jules Massenet said that piano teaching involves knowing four sentences:

1. Bonjour, Mademoiselle

2. Not so fast/slow

3. Less pedal, please

4. Give my regards to your mother

Simple, eh!

Thursday, September 02, 2010

Invitation

I may not post much here any more, because I'm writing for Mitchell Conservatorium at the address in the link at the top.

Mitchell Conservatorium is the place where I have worked over the past ten years.

I am enjoying writing about the musical opportunities offered by our regional conservatorium and also about Music generally.

And getting paid a small amount to do it.

So come on over!

Monday, July 26, 2010

Alexander Tsiboulski

Enjoyed seeing a whole page article about Alexander Tsiboulski, terrific new face in Australian classical guitar, in August's edition of Limelight magazine.

You can hear his playing at his Myspace page.

Alexander's All-Australian Naxos CD features more of the music he has sampled for us on his Myspace page.

I love the performance of the Granados Spanish dance he also has up there. Those dances, originally written for piano, sound superb when played by a sensitive guitarist.

In the Limelight article, Alexander made a great comment about one of the benefits of teaching, when he said that Teaching is a fantastic medium for developing one's own thinking and communication skills.

Tuesday, July 13, 2010

Effort Brings Success

The motto of Blaxland High School, the last place where I engaged in crowd control [which some people call high school music teaching] is Effort Earns Success. It used to bug me. Success seems to come easily to some people, whereas others try hard and fail.

ABC Lateline interviewer, Leigh Sales asked Matthew Syed, journalist and former table tennis champion What weight do you give innate talent versus hard work and opportunity?

Syed replied that he gives innate talent almost no weight at all. He would agree with Tennyson that
The heights by great men, reached and kept
Were not attained by sudden flight
But they, while their companions slept
Toiled upward in the night.

He says that great athletes and musicians are made, not born. Some, like Ian Thorpe, may have all the right equipment, but what made him a world champion swimmer was hard work and the drive to keep at it.

When Mozart travelled Europe at the age of about six, wowing everybody with his amazing talent, he had already put in about 3000 hours of practice, according to a recent biographer. Talent was of some importance, but the work that he did is what made him one of the greatest composers the world has so far seen.

Syed points out that this is good news! It doesn't mean we can all write stunning piano concertos or win gold medals at the Olympic Games, but it does mean that it is Effort that Earns Success.

In 1965, my friend Ian and I were at another friend's house. This bloke used to always boast that success came easily to him. If he came top of the class, he would say "Imagine how much better I'd have done if I'd studied."

Up until that day, we swallowed it, but when this genius left his bedroom, we raided his desk drawer and discovered a study timetable and detailed, comprehensive handwritten study notes. He was clever, but he achieved success because he also worked hard.

I have seen seemingly less talented piano students go further than the naturally gifted through sheer hard work.

In 2008, my wife and I attended Angela Hewitt's performances of Bach's Well-Tempered Clavier, Books 1 and 2. On a Thursday in October she played the entire Book 1 from memory. That's 24 preludes and 24 fugues. (The fugues are fiendishly difficult and usually include 3 or 4 independent lines of music played simultaneously.) Then on the following Saturday, she played the more difficult second book of 24 preludes and 24 fugues. This time she had the sheet music in front of her, but did not ever seem to refer to it.

Of course Angela is talented, but the reason she was able to play these 96 mostly difficult pieces of music was her hours and hours of hard work. Both at the piano and also studying the music away from the piano. She couldn't have done it without her wonderful musical gifts, but the key thing was surely the months and years of solid work which she put in.

Thanks Matthew and Leigh. Great story.

Sunday, June 27, 2010

Italian quote

 One of Joe Dolce's Italian quotes that he has shared:
Chi pò, non vò; 
chi vò, non pò; 
chi sà, non fà; 
chi fà, non sà; 
e così, male il mondo va. 
- (Who can do, doesn't want to; 
who wants to, can't do; 
who knows how to do, won't do it; 
who does it, doesn't know how to; 
and, so, badly goes the world.)

Interesting project

Someone called Deanne decided to embark on a project of recording the entire Beatles white album, with a new track appearing every nine days. If you don't know why she did it every nine days, you need to brush up on your Lennonology.

It is great to have a project to work on and this one is a most interesting one. Her first effort, linked above, is very well done. If you like it, you might like to join my much less ambitious project, which is to listen to what she did, a track per day, over the next 29 days in which I have access to a computer. [I'll be taking a break during the school holidays to visit my Aunty Ruth for her hundredth birthday and to meet my new granddaughter, Hilary.

Tuesday, June 22, 2010